Great voiceovers by Lindsay Abbott
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All Posts Tagged Tag: ‘Voice Over Artist’

28 Things You Never Thought You’d Need a Voice Over For… 0

Recently, someone asked me to name the things you never thought you’d need a Voice Over for, as they said not everyone would know them all. So, I reeled off to them the more commonly known areas of voicing. But, once I’d started, the list seemed to get longer and longer, so that I ended up having to write them down.

When I’d finished the list, I counted 28! I thought it worth sharing them with you below… Here’s that list:

  1. TV Commercials voice over
  2. Radio Commercials voice over
  3. TV programme sponsorship voice over for ‘bumpers’ or station ‘Idents’
  4. Training Materials narration, incorporating audio (E-Learning), for commercial re-sale
  5. How-to/Explainer Web Video voice over
  6. The Speaking Clock!
  7. Mobile Phone Interactive Voice Recognition voice over – such as iPhone’s ‘Siri’
  8. Self-Service Checkout ‘voice’ over
  9. Telephone messaging; Voicemail, Auto Attendant (ie; ‘For Sales, Press 1’), Marketing On-Hold voice overs, Out of Hours
  10. Audio Books narrator
  11. Documentary narrator
  12. Sat Nav Voice overs
  13. Continuity Announcing (TV) voice over
  14. Radio Jingles/Imaging voice over
  15. Online Corporate Information Video voice over narration
  16. Online voice over for Promotional Videos or Commercials
  17. Internal Company Presentation, or Internal Training Video voice overs
  18. Voice of God voice over, announcing for Awards Ceremonies
  19. Exhibition Video voice over
  20. Cartoon and animation voice over artist
  21. Interactive Games, including character voice overs
  22. Lifts – ‘doors closing’, ‘first floor – electrical goods’ etc
  23. Buses – ‘Next stop is…Baker Street’
  24. Tube Stations – ‘doors closing’ etc
  25. Products or Toys voice, for example a doll who speaks
  26. Interactive Children’s Story Apps voice/s
  27. Talking Newspapers for the Blind voice over
  28. Movie Trailer voice overs
  29. Text-To-Speech Software, for PC’s etc…
  30. Interactive Vehicle Response – ie; ‘this vehicle is reversing’
  31. Foreign language training audio, for teaching a foreign language.
Erm…that’s 31; since publishing this article the list has grown with input from others, so thank you to all who’ve added to it!…You see, the list seems endless! This is now probably a pretty comprehensive list…unless of course, you know different? I’d love to hear from you if you can find another one, or more?!…

So, if you’re looking for a British voice over artist on your next audio project for any of the above, call me on +44 (0)7980 343047, Email me to request a Quote,or Skype me

To hear some specific audio samples, please visit my Homepage.

Posted on: 02-19-2015
Posted in: Voice Over General

Voice Overs with Chocolate ‘Squidginess’! 0

When one of my regular clients asked me to provide a voice over for an infomercial on behalf of Soreen Malt Loaf, I was in for a real treat narrating this one.

Soreen have come up with a great recipe which adds their squidgy Malt Loaf to an all-time classic, the flapjack, to make Soreen’s Chocolate Flapjack recipe. I don’t know if my client was aware of my penchant for anything involving chocolate, but when I narrated this great new recipe in my voice over booth, it felt like I was in voice over heaven. Without further ado, here it is:

If you missed the ingredients first time around, here they are:

Ingredients:
1 loaf of Soreen Original malt loaf
100g butter
25g caster sugar
200g porridge oats
150g dark chocolate (always worth weighing a bit more so there’s some to nibble on)
5 tablespoons golden syrup

See and hear more of my Commercials Voice Over work here

Thank you for stopping by! Listen to my Voice Over work here on my Homepage
To find out more or get a quote, call me on +44 (0)7980 343047, Email me to request a Quote,or Skype me
Posted on: 09-10-2014
Posted in: Commercials, Voice Over General

Royalty Free Music Audio Library from YouTube 0

As a voice over artist with my own studio, I sometimes get asked about adding royalty free music to certain voice over projects, which I offer as an additional service, and have a couple of excellent favourite paid sources for the supply of royalty free music.

However, and it may be that I’m completely late to the party, I just wanted to share with you my recent discovery; YouTube’s Audio Library, launched in the latter half of last year.

The Audio Library features lots of free YouTube picroyalty free music for video producers to use as background music for their videos.

Here’s the link to YouTube’s Audio Library:
https://www.youtube.com/audiolibrary

So, if you’re a corporate video production company looking for royalty free music, or anyone who wants to add music to their YouTube videos, as well as your usual sources for royalty free music, it might be worth checking it out.

Have a great week, and enjoy the sunshine for those of you in the UK!

 

Posted on: 05-19-2014
Posted in: Corporate Video, Voice Over General

Getting into Voice Overs 0

Becoming a Voice Over Artist :

The Pro’s and Cons

As I’ve been doing voice overs for quite a while now, I’m frequently approached by others who are interested in getting involved in our industry. There are a lot of misconceptions that it’s a quick fix-easy-money-kind-of-occupation. There are certainly some great times and experiences to be had in our line of work, and we get to voice and narrate such a wide variety of projects – some high profile on occasions, and others much less so.

It’s also a very satisfying feeling when you’re growing a business, just like any other. The sense of achievement can be immense as, if you’re prepared to put the work in, you invariably get to see results.

Over the coming days and weeks I thought I’d share with you some of the Pro’s and Cons of working in the voice over industry. Here’s the first…

#1 Working From Home: The Solitary Occupation

Pro’s


They say the grass is always greener on the other side, and those that have salaried positions will often say how marvellous it must be to work from home. Yes, there are definitely benefits to working from home; flexibility of working hours, you can put the washing on (maybe not during a voice over session lol!), make as many cups of tea/coffee – or in my case – eat chocolate – as much as you like! Working from home with our own studios, you can service your clients remotely all over the world. You also don’t have to get yourself stressed travelling to and from work very often, and it also saves on travel costs.

Cons

I was reminded recently that, however high up the voice over chain you are, the fact is that working from home means that you’re not only talking to yourself in your booth, but you are working alone.

The reminder came from a very insightful interview (above) that top voice over artists Peter Dickson and Alan Dedicoat gave to Stuart Clarkson for RadioTodayUK a few months ago. In it, Peter talks of our ‘incredibly solitary occupation’. Check it out above.

When considering a voice over career, think very carefully about whether this is an environment in which you would thrive. If you like your own company on a regular basis, then this business could work well for you. If you need lots of social interaction throughout the day, this may be less than ideal!

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To listen to some of my work, please visit my homepage here

To make an enquiry about my Voice Over services please click here

Posted on: 05-13-2014
Posted in: Industry Articles, Tips, Voice Over General

Is your web video competing to be heard? 0

Loudness wars: the music and voice over mix

video and music comboHow many times have you watched an online video and struggled to hear the voice over when it’s accompanied by music? When you’re listening and watching, you may just put it down to the media you are using to play it, or even your hearing! I know, I’ve been there and have sometimes thought one or both of those things. As a web video narrator of numerous corporate videos, this has become a bug bear of mine.

The reason for this apparent loudness war is invariably because the music levels have been set too high.

So, if the video was distracting because of this, then the result could be that potential clients or customers  really couldn’t hear the message and, worse still, quickly moved onto another website.  The client or customer may not even have been consciously aware as to what made them move on or not pay attention.

There will be some people who may be less affected by competing sounds, but Man looking frazzled at pccertainly those who are primarily auditory would find a badly mixed video extremely distracting.

So what, you say? Well, given that it is generally accepted that 30% of the population are auditory, that’s almost a third who would find this particularly annoying and potentially move on from your video. That’s a pretty big number of potential customers you or your clients may be losing, aside from the rest who may also move on too.

You see, with video, what you’ve got are 3 elements going on at once, if you’re using voice over in the mix: the visual imagery in front of you, the voice over narration, and the ‘background’ music. All three need to be working in synergy to make the video effective. If the 2 audio elements are competing with each other, you’ve got a problem.

The music needs to complement the narration and/or the visual, rather than take over. It is meant as subtle ‘background’, not foreground. A little production and compression techniques which your voice over or production company can add to the finished narration, can better cut through the music, but they can only do so much if the volume of the music is set too high in the first place.

Choosing the right music at the outset can help with this, ideally something subtle, but if you’re set on using a heavier piece of music it’s even more important to lower the music levels, so that it very much sits underneath the voice over.

As an example, this kind of problem can spoil even some of the biggest events. Last year, I went to Wembley to see Robbie Williams. The excitement in the stadium was huge. However, once the music began, poor Robbie could barely be heard amongst the music, as the music levels were way too loud. At first I thought it was just me, as I’m auditory and noise sensitive. However, the people I was with felt the same and, certainly on our side of the stadium what I noticed was that the audience becoming visibly less engaged and restless. There was an unusually high amount of to-ing and fro-ing from the stadium into the food and bar areas and, although they were enjoying the atmosphere, I noticed that fans weren’t as responsive to the songs as they might have been. It wasn’t Robbie’s fault, but whoever was mixing the sound. There’s often a tendency to believe that loud is good. It isn’t, as what we came to hear was Robbie. I’ll say it again – ‘hear‘ Robbie, not be drowned out by the music. It’s pointless.

Bottom line is…keep the music levels down and let the narration shine through!

 

To visit my Corporate Video Narration page, listen to samples and see client testimonials, please click here

To make an enquiry about my Voice Over services please click here

 

Posted on: 04-6-2014
Posted in: Business Audio, Corporate Video, Industry Articles, Voice Over General

‘80% of the quality of your video is in the audio’ 0

Lindsay Abbott | Voice Over Artist

Do you underestimate the impact of your audio? You have just seconds to make an impact. If you are looking to narrate a video, did you know that ‘80% of the quality of your video is in the audio?’ So says Dr David ‘Dr Doodle’ Kyte, Founder of Doodle Ads, who made me aware of this during the making of my new voice over promotional video, below. If you are looking to maximise that impact, you need the help of a good voice over artist.

Imagine what the film Jaws would be like without those two famous hauntingly knife-edged musical notes we hear at Jaws heads menacingly towards his next victim? Or watching an explosion on the news, without the sound. When you hear the full blast of the impact, that’s when it hits you emotionally. Or when you see a person on film in pain without the sound. If you re-play it with the sound, how much more of an emotive impact does the video or film have?

Primarily marketeers, who also happen to make great whiteboard animated videos with voice over, Doodle Ads understand how important audio is when making videos for their clients.

Recording audio is not as easy as people at first think. Not only do you have to deliver the script at the right pace, speak it clearly and flawlessly with the right energy, there is all that technical stuff to sort out too!

Finding good, experienced female voice over artists is a challenge; watch and listen to my video, and to the samples on my website. If you’re looking for a warm, friendly, clear female voice over and you like the tone and personality of my voice; pick up the phone email me, and let’s put some life into your audio.

Posted on: 08-7-2013
Posted in: Business Audio, Corporate Video, Industry Articles, Voice Over General

Voicing by Sector… 0

Voice overs by Sector

When I was first starting out as a voice over, a seasoned voice pro told me that, as voiceovers, we don’t get to choose the areas of voicing work that we do; it chooses us, based on the sound of our own unique voice and the subliminal message it conveys.

With that in mind, I wanted to share with you my voice over working statistics by sector, over the past few months:

Sector Product/Service %
Education/Training Services or Products Educational products or services, both for adults & children, and E-learning

20.93%

Consultancy/Professional Services Lawyers, management consultants, to recruitment agencies

16.28%

Consumer Products Lighting, flooring, blinds, to jewelry and tobacco!

13.95%

Consumer Services Estate agencies, to online betting!

9.30%

Health, Wellbeing, Fitness Health clubs, counselling, alternative therapies etc

9.30%

Hospitality Hotels, catering etc…

9.30%

IT/Computing Technical products/services

9.30%

Character work Stately home tour guides, e-learning modules, ethereal pieces

6.98%

Awards Ceremonies Announcements, video narration

4.65%

Some of this, of course, will be to do with fluctuating movement within the sectors themselves at any given time, but it’s certainly an indicator as to where my voice is currently being used the most.

Posted on: 06-7-2013
Posted in: Industry Articles, Voice Over General

Through the eyes of a Children’s book writer… 0

Interviewing The Treebobs author, Declan Harney

The Treebobs and the Giant MoleI’ve known author Declan Harney for over a year now, since I was lucky enough to be the chosen voice to narrate the audio versions of the wonderful Treebobs series of children’s books. Declan’s passion for writing is infectious, and I thought it would be a great idea to share his story with you…

Hi Declan! What inspired you to begin writing children’s stories?

“I have always loved writing, probably due to the fact I love reading children’s stories particularly anything magical or fantasy so my love of writing stemmed from this. One night when I was working very late in the office I just put one pen down and picked a writers pen up and went on from there.”

Is this something that you’ve always wanted to do?

“Absolutely since about the age of 8.”

Where did the idea for the Treebobs series come about?

“It actually came to me in a car park. I was stuck in a miserable job at the time and was in the car on my lunch hour making what was a futile call to an employment agency. While I was there the wind blew hundreds of seeds from a sycamore tree and I remember watching as they all whirled through the air and then the idea of the Treebobs just popped into my head. I was writing some traditional fairy tales at the time which included the characters of The Treebobs in a story. The story was rejected but the agent said she loved the idea of The Treebobs and it went on from there. The first story being The Treebobs and the Dizzy Broomsticks with the creation of Rotten Rena and Badlot Barbara the two witches.”

Each story has a moral to it that children can relate to. Can you briefly give us the morality themes of each one?

“Well there are all sorts of what I hope are positive messages in the The Treebobs and the Dizzy Broomsticksbooks. In The Treebobs and the Dizzy Broomsticks there is an environmental theme when the two witches start cutting down the trees. The Runaway Cauldron shows how a common threat can bring everyone together to combat that. In The Treebobs Rescue Rotten Rena the message is about body shape and the dangers of fad diets while the Christmas story is of course all about the magic of Christmas”.

You’ve been having considerable success with the stories, and some great reviews. Can you tell us a bit more about what’s been happening?

“Yes the stories have got some lovely reviews and have been very well received in America where most of the reviews have come from. Hopefully they are soon to be broadcast on US radio as well which would be just wonderful. There is also now requests for paper back copies so the illustrations of the existing books are currently being developed as well as the creation of new stories in the same series”.

Do you have any touching or funny anecdotes, or feedback from the Treebobs Rescue Rotten Renachildren listeners themselves that you can share with us?

“It was fantastic receiving an invitation from a school where the Dizzy Broomsticks had been played to the children to arrive to hear children in the playground being Rotten Rena and the witches. Also on one of the reviews there is a picture of a little girl drawing pictures of the witches from what she had heard on the audio stories which is truly heartening.”

The Treebobs series is available in hard copy with beautiful illustrations, but also as a radio play style audio book, produced by Lee Pritchard, and narrated by yours truly! What prompted your decision to produce the book in audio format?

“I think the reviews say it all. A narrative breathes life into the story and giving it a sense of realism and literally opening up the imagination to the events that are happening. For me your ability to create the characterisations through the use of accent, tone and inflexion is part of that realism and with the sound effects makes an audio story so engaging for all listeners”

What kind of narrator were you looking for once you’d decided to produce the stories as audiobooks too?

“To be honest the production of an audio book was something I was curious about doing and it was hearing samples of voice overs that made my mind up. Once that was done I wanted a narrator that was clear with a good range and one who could do voices…and guess what I was lucky enough to find one!”

So, do you have any plans for any more children’s stories? If so, spill?!

“Yes indeed there are five more Treebob stories due for release this year the first two of these have just been completed. Also there is another series coming out for older children which are ghost stories as well as a spin off novelty book from The Treebobs.”

Thank you, Declan, I’ve had a ball narrating them! Currently there are 5 titles in the Treebobs series. The audio CD’s are yet to be pressed, but all of them are available to download now from Audible:

The Treebobs and the Dizzy Broomsticks
The Treebobs Rescue Rotten Rena
The Treebobs and the Runaway Cauldron
The Treebobs and the Giant Mole
The Treebobs Save Christmas

Published by Tales4All. You can follow Declan Harney on Twitter here.

To visit my Audiobooks voice over page to hear samples, click here.
My other Audiobook-related articles can be found here

If you’d like to find out more about my audio book narrating services, get in touch!

Posted on: 03-12-2013
Posted in: Audio Books, Featured Projects, Voice Over General

Becoming a voiceover: it’s easy – ‘innit? 1

Judging by the number of enquiries I get from people asking how to be a Picture of Lindsay close up mouth during recording sessionvoiceover, it must sound very appealing from the outside! Doesn’t it just involve speaking into a microphone after all, oh we can all do that can’t we? “That sounds like a jolly good wheeze, how do I become one, I’ve often been told I have a good voice?!” I’ve lost count of the number of people who have approached me with the latter, so I thought it would be worth while writing this blog post to provide some help.

I am by no means an expert, and think of my own voiceover career as a work in progress. My aim is always to learn something new everyday in the work that I do, and I hope that will continue on an ongoing basis as a journey, as it’s a great motivator for me personally.

Voice over training and vocal technique

There is quite a lot of vocal technique involved in becoming a voice over artist in the first place, which most people are unaware of. Having a lay person tell you that ‘you have a good voice’ is not enough – get an expert to listen to a demo and work from any feedback you get.

Record yourself and listen to it back – what does it really sound like amplified? Once recorded and amplified there is no hiding place for imperfections! When we speak live in real time, people don’t notice these, but it can be a very different matter once recorded! Equally, some people can sound dramatically different on recorded media than they do in real life, which can be a bonus or a disaster!

Learn how to use your voice and develop good listening skills as to what comes out the other end once its amplified. You’ll need to learn how to develop your microphone technique to deal with plosives, popping and the like. How to avoid ‘wet’ noises from too much moisture in the mouth etcetera – these sounds magnify once amplified. Do you have even vocal dynamics when you speak? – do you push certain sounds forward too much, which can be jarring to the listener? Do you have control of your sibilants? Any imperfections become magnified, so you need to learn to rid yourself of as many as possible in order to become a good voice over artist. Even though I’ve been providing voice overs for some time now, I still learn something new everyday, so there are always things to aim for.

You need to be able to read off the page quickly and be able to reproduce it so that it not only sounds like you understand what you are saying/talking about, but that the vocal production is something that people would find engaging to listen to – adding vocal colour, vocal timbre, intonation and phrasing.  – these are all really important, and there’s an art to be able to do this, which can only be developed with practise and over time.

Concentration, focus, and taking direction…

Voice over work involves a lot of focus and concentration, often being asked to come up with a whole range of different vocal types/qualities/accents on your feet. Plus, if you’re recording at a client’s studio, creatives in the adjacent producer’s booth commenting on everything you say, some of it great, some of it blunt and to the point – ‘that was crap – can you do it again, but differently?’ not being unheard of. You’ve got to be able to take direction and adapt well on your feet, not take offence – and just get on with it. All this within a sound-proof room which, after a whole day, with little fresh air, will zap all of your energy, but a job done well can be very satisfying!

Understanding the client’s brief and being able to adapt to their needs, will be key to your success in achieving what the client is looking for. You may like your own interpretation, but if it isn’t what the client wants, then you’ll need to be both prepared and vocally flexible enough to take this on board and make changes.

How did I become a voice over artist in the first place?

People often ask me how I was able to get into voice overs? Well, my journey began with developing my singing voice – I trained as a classical singer, and morphed from that into musical theatre, and latterly jazz and swing . I studied Drama & Theatre Arts at university, did my final dissertation on voice production in the theatre and the actor in performance throughout the past few decades. From there, I trained as an actor, which involved an element of voice production, and from that point I started getting booked to do ad-hoc voiceover work, and there are many actors who are also voice over artists for this reason; they’ve already had some training and experience in how to use their voices,  plus of course, having the all-important contacts.  Being an actor, however, does not necessarily make a good voice over artist.

Bring something to the voice over party, including credibility…

Now, you don’t all have to go on my journey in order to become a voice over, but what probably helps is having something to bring to the party, as well as giving you some credibility. Likewise, there are several other successful voiceovers out there whose background is in sound or audio production. Again, they have something to bring to the party which helps them understand how it works and how to produce the right sound. Equally, there are broadcasters/journalists/presenters who learn their trade, and have already developed vocal presentation skills to add voice over artist to their portfolio.

The other tip I can give you is to find out your strengths and play to them. Are you particularly good at character voices and/or storytelling? Or are you better at straight reads, rubric, or announcements? Maybe you have a current, relatable commercial type voice? Are you better at a hard sell or a soft sell piece? What are your particular vocal qualities? Warm, reassuring, friendly, authoritative, funky, quirky, young, mature, or even another language, etcetera?

Having grasped your technique and discovered more about the sound of your own voice once amplified, then you need a good demo. There are lots of studios who specialise in this. Like many of my colleagues, I did my first voice over demo with Bernard Shaw, sadly no longer with us.

OK, I’ve got my demo – is that it now? World, come and get me!

Voice over work involves not only learning your craft, juggling several clients at once, admin, but perhaps most importantly of all, marketing your voice over business.

Marketing my voice over business?

Once I’ve set myself up, doesn’t the phone just start ringing then? Isn’t it a question of just doing the voice overs?? Don’t I just get an agent to do all this for me I hear you cry? Well, you could, but getting onto the books of a top voice over agency takes time – the good ones are oversubscribed and places are usually taken by very well established voice over artists, and/or celebrity voices, such as the brilliant Stephen Fry. It’s great to be on their books, but don’t rely on them, otherwise you’ll literally be sitting at home waiting for the phone to ring!

You have to get good at self-promotion, go out there and market yourself, particularly online in this day and age. Make use of social media, and any other relevant listings sites you know of.

You’re essentially running your own voice over business

You’ll need some business skills to start and run your own business. That’s not only marketing, managing your website, admin and invoicing, business development, and networking (whether in person, email, and/or social media).

Rewards

Voice over work can be feast or famine, just like any business and it can be a great life doing what you love and getting paid for it, but the hard work is both in learning your craft, and developing your business on a continuous basis.  Like any business, if you work hard enough at it, you will succeed…however, if you just hang around waiting for the phone to ring to book you for your next voice over job, you might be waiting a long time!

Going back to the title of this blog post…’Becoming a voice over – it’s easy – ‘innit?’…maybe it ‘aint, after all?!

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Interested in receiving similar articles like this, and/or voice coaching? Please click here

Posted on: 11-16-2012
Posted in: Tips, Voice Over General

Twitter #CambsHour business networking on BBC Radio Cambridgeshire 0

Today I was lucky enough to get a mention on BBC Radio Cambridgeshire this morning, as part of Clare McPartland‘s report on #CambsHour, which featured on the Andie Harper Show. Clare interviewed Ann Hawkins, business mentor, and Helen Reinson, IT specialist turned marketer and technical sales consultant, who brought the idea for the event to Cambridgeshire.

#CambsHour on Twitter is a new phenomenon to hit the Cambridgeshire networking scene, and is fast-becoming extremely popular. Every Wednesday between 8pm and 9pm Cambridgeshire businesses, large and small, are invited to participate by searching, and following the #CambsHour Twitter hashtag, and joining in. Just introduce yourself, mention what your business has to offer, and interact with others.

Warning: it’s fast and furious, and that hour goes by very quickly indeed! It’s probably advisable to use a Twitter platform such as Tweetdeck or Hootsuite, so that you can follow the Twitter stream of conversations more easily, but it can be done on your mobile phone if you have the Twitter app.

Here is the interview for you to listen to:

So, if you’re a Cambridgeshire based business, what are you waiting for? Get involved! #CambsHour Wednesdays 8-9pm. I’m @VoiceoverLinds ; looking forward to seeing you there!

Networking on Twitter #CambsHour tips

To keep up-to-date with what’s going on with #CambsHour, join the mailing list.

Posted on: 10-31-2012
Posted in: News, Voice Over General
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The impact of using Voice Over by Lindsay Abbott

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    03-3-2016
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